![]() ![]() Lubin moved over to Republic Pictures when they merged with Monogram. It was followed by Great God Gold (1935) and Honeymoon Limited (1935). Lubin's first film as director was for Monogram, A Successful Failure (1934). ![]() He also started directing films for low budget companies such as Monogram, and Republic. Lubin began directing Little Theatre in his spare time, including productions of Lilliom, and got reputation for doing "outstanding work". His contract included the right to return to New York in the first six months to produce and direct a play. In June 1932, Lubin returned to Hollywood to work for William Le Baron at Paramount as an associate producer. He also worked for the Ray-Minor Company, a subsidiary of Paramount, which brought him to the attention of that studio's chief, B.P. Lubin went back to New York where he produced When the Bough Breaks with Pauline Frederick and One Man with Paul Muni. They have the scene in their mind but they don't know what the actor has to do to interpret it." Director and producer ![]() "Every director should have acting experience," he later said. Over time his interests increasingly leant towards directing. His films as an actor included The Woman on the Jury (1924), His People (1925), Bardelys the Magnificent (1926), Millionaires (1926), Afraid to Love (1927), The Wedding March (1928), The Bushranger (1928), Eyes of the Underworld (1929) and Times Square (1929). "When I met him, it was if I were meeting a young banker or a matter of fact businessman. He later worked on Broadway.Ī 1926 profile described him as a "genius" actor who was very down to earth. In 1925 he and some friends were charged with obscenity by the Los Angeles police for putting on a production of Eugene O'Neill's Desire Under the Elms. In 1925, the Los Angeles Times called him "one of this year's juvenile screen sensations." He began directing shows for the Hollywood Writers Club.Īs an actor, he specialized in heavy melodrama, in sharp contrast with his later work as a film director. He also acted in stage, notably at the Potboiler Act Theatre. None of these plays were particularly successful so he moved to Hollywood, where he succeeded in getting roles in some films such as His People. In New York Lubin managed to get work on stage in such plays as The Red Poppy, Anything Might Happen and My Aunt from Ypsilanti. He worked as a drama coach at Canadian Steel Mills before following one of his college drama teachers, B. On graduation from college in 1922 he decided to become an actor. He attended Page Military Academy and Carnegie Tech, where he studied drama and made money by shifting scenery and props. He managed the music and drama clubs at high school and joined the San Diego Stock Company at $12 a week the director was John Griffith Wray and the actors including Harold Lloyd.Īs a child he had worked as a water boy for touring theatre companies and volunteered for circuses. His father remarried and the family moved from Jerome to San Diego when Lubin was eight. He was interested in acting at an early age, appearing in local Sunday school productions, with the encouragement of his mother, who died when Lubin was six. His family moved to Jerome, Arizona when Arthur was five. Arthur William Lubovsky was born in Los Angeles in 1898. ![]()
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